The past is a dangerous place

It has been a week for find­ing the famil­iar in the unfa­mil­iar.  Of revis­it­ing the past, through a series of ‘slid­ing doors’ style vignettes, and reliv­ing expe­ri­ences — some good, some bad.   The shock of the old and the clumsy trip over the barely remem­bered.  I’ve been made to look in old mir­rors, and find no Dorian Grey, or Mad Old Hat­ter, or indeed any­one I recog­nise in there.   The peo­ple and thoughts I’ve found are instead cloudy and blurred, or dig­i­tally enhanced and pixel­lated.  My mem­o­ries are fogged through lack of use — over­grown weeds in the dark cor­ners of the mind-garden.If this sounds a lit­tle flow­ery, well it’s partly because I’ve been redis­cov­er­ing poetry, as men­tioned in the last post.  Through slid­ing door #3 I’ve found a whole batch of poems I wrote in 2003 when I was in a ‘happy’ place mainly called Hardy’s Bin 57.  [In attempt­ing an auto­mated update of this blog soft­ware I man­aged to bork the site — so I took the oppor­tu­nity to do a lit­tle house­keep­ing.]  In clear­ing out some dig­i­tal clut­ter I found this whole batch of ver­biage back from when I was mer­ri­bly bounc­ing from one per­sonal cat­a­stro­phe to another.  I’ll post some of it anon — some of it’s awful  Some of it’s quite good.  And some of it has been lis­ten­ing too hard to Mike Skinner.

Through slid­ing door #2 I found my blog from my last con­certed attempt to write fic­tion from home.  Not par­tic­u­larly pleas­ant read­ing, par­tic­u­larly as some of the char­ac­ters and plot lines are still unre­solved all this time later.  And I found my 9/12 post.  And sim­i­larly, long unpub­lished blog entries from events eight years ago and more.

Which leads to slid­ing door #1.  The coinkidink chain involves sev­eral links on my side:

  • Resign
  • Spend train­ing bud­get as part of the res­ig­na­tion process
  • Book on ran­dom course with vaguely inter­est­ing title
  • Change date of course
  • As date now coin­cides with tube strike, con­tem­plate alter­na­tive modes of transport
  • Can’t go by bike as the night before, of all nights, my back wheel is stolen
  • Decide against run­ning or walk­ing, as I’m feel­ing lazy
  • Go by train, which involves walk­ing through a bit of my post­code I’ve never seen before — ie I bimble
  • Arrive at sta­tion at same time as train, but decide not to get on it as I have plenty of time
  • Bim­ble some more up to the end of the plat­form and wait 15 mins
  • Next train is short and I am nowhere near a door.  Run down the plat­form but it is now full.  So have to wait for another.
  • Check with ticket office that next train is 8 cars long, and return to orig­i­nal wait­ing place
  • Get on next train.  Am so amused by the leaning-post chairs that I choose one of them fac­ing the door instead of one of the empty seats elsewhere.

At the very next stop one a reminder of one of the peo­ple that define my adult life gets on the train.  And the shock for me/both of us means I/we do noth­ing. No acknowl­edge­ment.  No… any­thing.  Furi­ous non­cha­lance of a type only bet­tered when faced with the mad tourettes lady on the Dis­trict line.  And then the doors slid open and the car­riage dynam­ics changed.

Only later in the day do I notice the mer­est dig­i­tal nudge of curios­ity (that I half-expect).  And a cherry-on-top detail is added.  In the telling of this story over the week­end my friends have asked me why either of us didn’t speak.  And, well, life can be both amaz­ingly sim­ple and pretty com­pli­cated.  And no amount of con­trite half-smiles (mine) can make the past just dis­ap­pear.  Anyhoo.

So, with­out fur­ther ado, and in the hope that it pla­cates some cre­ative being on another plane,  so that it will return my mojo from lost-mojo-place, on to some word-pottery poetry:
Shal­low grave
I dug the hole today.
It was right that I should dig.
Look for clues.
Unearth.
Move earth.
Break earth.

I stabbed the earth
and the earth bled;
stones,
bit­ter pills of past emo­tions.
Con­gealed lumps of denial.
And bile.
Good for the heart
and good for the soul.
It felt good to run
my fin­gers through the soil,
feel it crum­ble, flake
and drift skyward.

I held you before I buried you.
I want you to know that.
I couldn’t before.
I hope you under­stand.
I put your pil­low in with you.
You know the one.
It reminds me of you too much,
even with­out my fin­ger­prints on it
and your screams embed­ded in it.

Flu­vial deposits
Wine, whine away my tears
my eyes red and con­science said.
I played my part, I played my part.
Bot­tle green and thoughts unseen
of feel­ings mean and feel­ings keen.
Upset as my apple­cart
by your sud­den change of heart.
I shrank my world
and drank my tears away.
Goa­tee
Shell my soul for the cor­po­rate prophet.
Bot­tom line is my new goal.
Snout to trough and face to sphinc­ter.
There’s no depth I can’t sink to.

Shit to do,
shit to eat,
shit to shoot
the shit about.

Kill the fat­ted calf
and bake bread
with the other side.

There’s no such thing as com­mer­cial suicide.

Ham­mer
Your soul’s up for auc­tion, no known reserve,
Blank out the peo­ple, hold your nerve.
Shoot stares, shoot the breeze
laugh along with the lat­est web wheeze.
You never meant it to get to this,
news, cam­eras, com­men­tary axis.
Money. Your demons want it more than you
sell your­self for your Jimmy Choos
they are more you than you.
Kiss your chil­dren, sell your eggs
make the tabloids, shag the dregs.
It’s not your style but now what’s left
but ham­mer down and the devil’s cleft.
Sell your hole and sell your soul
make your price and pay your toll.

Care in the com­mu­nity
Raghag Jonah picks up paper.
Receipts, fly­ers, tick­ets, what­ever.
He has noticed an ongo­ing decline

in the qual­ity of finds he finds,
until he found the scan -
in a bin, behind the doc­tors.
A baby.
A beau­ti­ful black and white baby,
an alien in close up.
An alien with ‘for ter­mi­na­tion’ writ­ten in pen.
The streets are get­ting harder every day.

Walls
How thin is the line
between hero­ism and pity?
The thick­ness of a glass.
Mustn’t laugh.
I’m a joke.
My ego is bro­ken.
I hid it in a bot­tle and
now it’s been recy­cled
by the Coun­cil.
Eco-warrior, that’s me.

Lulu
Sad songs don’t do it any more.
Like drugs, their effect is dimmed
through over use.
If any­thing, they cheer me up,
old friends in the mid­dle of unfa­mil­iar places.
Instead my night­mares live,
and com­mon old gar­den songs res­onate
with mean­ings until now occu­py­ing
for­bid­den space in my cul­tural lexicon.

Filed under pop­u­lar.
Pop­stars become genuises,
and well heeled Scan­di­na­vians
become Poet Lau­re­ates
to a gen­er­a­tion intestate.

I never lis­tened to the words, I
never had the time.
I always wanted rhythm and the rhyme.
Now I’m bro­ken and con­fused,
it’s all mid­dle eights and med­ley choons.
I hate myself for feel­ing them,
but I hate more the feel­ing of loss.

Loss of roots and loss of boots.
It’s easy when you’ve got no memory.

Shame­less, time­less, in com­mand.
Easy to be cheesy when
you’re not liv­ing
hand to
mouth
to hand.

Trum­pet
Nobody’s per­fect
I’m nobody’s fool
I live in a dream­land
where cry­ing is cool.
The fat­ter the tears
the bet­ter the year
another true vin­tage
for bot­tling in beer.

A vir­tu­oso per­for­mance
an homage to romance
in killing the spark
that made your eyes dance.
I’m in love with myself
and nobody else
in love with my pain
and the sound of my
arse.

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