La gazza ladra

There I was, in the Old Town, mer­rily carous­ing with my new-found part­ners in fic­tion Paolo and Giulio, when sud­denly ‘kat­a­plof’.  My mojo was dis­tracted.  By facts.  And oppor­tu­ni­ties.  And pre­ten­sions to com­men­tary on his­tor­i­cal things.  About Which I Knew Nada.  Noth­ing.  And Nuffink.  In that order.

Hav­ing been pootling along on a sim­ple story about God’s Cob­bler, I, or rather El Mojo, was dis­tracted by words like ‘Pruss­ian con­flict’ and ‘Ital­ian colo­nial­ism in the late 19th Cen­tury’.  So I started doing some re-re-search, to the crowd say ‘over­due fine don’t argue’.

And I became vaguely inter­ested in Mod­ern Euro­pean His­tory, for the first time ever.  So much so that I Cap­i­talised It (it’s my ver­sion of Brotne’s ‘reader, I mar­ried him’). And I dis­cov­ered Wik­iquote.   Not much of a dis­cov­ery, as I believe it has been there all the time.  Like Amer­ica.  Or Jaffa cakes.  Ok.  Not jaffa cakes.  But I sus­pect that orange flavoured bis­cotti have been around for centuries.

Any­hoo.  So my sim­ple story of cob­b­ler­ing.  Or what­ever it is that cob­blers do.  Cob­ble, I sup­pose.  So cob­bling might be bet­ter.  Def­i­nitely not bob­bling in any case.  Or bab­bling.  Where was I?  Oh yes.  My sim­ple, albeit Deity-linked cob­bler, was now some kind of sym­bol for the march of fas­cism through­out Europe 1870–1942.

And sud­denly it wasn’t fun any more.  It was work.  Ref­er­ences had to make sense.  Vil­lage names had to be checked.  I was look­ing up Ital­ian colonies in North Africa at some non-specific time in the win­dow 1890–1910.

And it was spoil­ing the story.  El mojo had been dis­tracted by Mr Lit­er­ary Ego Non­sense and was for­get­ting the golden rule — which is to write.  Not a lot of writ­ing hap­pens by read­ing.  I don’t believe that lovely Mr Gaiman goes ‘that’s a great idea, I’ll just go and read around it’.

Write it.  Young man.  Write it.  Then worry about the colour of his breeches and his­tor­i­cal authen­tic­ity.  If.  It.  Matters.

Which, frankly, it doesn’t.  God’s Cob­bler does not care for these tri­fles.  He cob­bles.  For God.  And pos­si­bly Coun­try (GAH! Ego is at it again).   Paolo wants to be his appren­tice.  It’s as plain as the laces on his boots.  As plain as the mud that cakes his boots.

And as plain as the fact that he now needs to punch Giulio on the nose and go look­ing for El Mojo and that thiev­ing mag­pie Ego and entice them back to the keyboard.

Pos­si­bly through the medium of Jaffa cakes.  Hurrah.

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