Why oh why oh why oh aye ay aye ay ay ay should have known better

Pootling along, mind­ing my own busi­ness on the train. Ok, pre­tend­ing to be read­ing some Really Impor­tant Pam­phlet, when my seman­tic reverie is bro­ken by an earnest and unnec­es­sar­ily long con­ver­sa­tion (by mobile phone, because that makes all the dif­fer­ence) about a dis­ci­pli­nary mat­ter involv­ing var­i­ous Johns, Wally, Charles — all of whom were on the board of an unspec­i­fied organ­i­sa­tion, but it sounded like a social enter­prise thing. One of the Johns had punched Wally, and the police had been called. She was try­ing to dif­fuse the sit­u­a­tion and keep the media off the case. By talk­ing about it, at length, men­tion­ing their full names (not repeated here out of some bizarre sense of decency) on a crowded train. A train whose ‘cus­tomers’ where bored shit­less by some pathetic air in the atmos­phere type excuse as to why we arrived half an hour late.

Thirty min­utes I would have enjoyed immensely, had I not spent half the night hav­ing a night­mare (my third in two sleeps, which is a bit wor­ry­ing, although at least this time it didn’t fea­ture Chucky eat­ing my spinal col­umn. Seri­ously. And I hadn’t eaten any cheese, acid, car bat­tery acid or other stim­u­lants. I blame CSI. Ok, ok. I blame CSI Miami. Again. Fuck­ing Caruso and his side­ways school of act­ing. And to think I liked NYPD Blue…)I digress. I was also try­ing hard to be Int.Elle.Eck.Shual by read­ing a col­lec­tion of essays which are at best, repet­i­tive. And at worst, writ­ten by Jemima Puddleduck-Bounty.

Now, con­sider this for a sec­ond. A duck that only eats coconut. Shirley proof, if proof be needed, that Beat­rix Pot­ter was talk­ing out of her bloomers. As was Enid Bly­ton. In fact, the only cred­i­ble children’s char­ac­ter of the last 117 years four months eight days and tea (except the kind of tea which is really brunch. I’m talk­ing about children’s tea. Think of me as the Children’s Tea Tsar. And I’m par­tic­u­larly inter­ested in the size of the mea­sure s of the Wish Tea that mod­ern young­sters (ooh, how 70s of me) are pour­ing them­selves). Any­hoo. Children’s char­ac­ters and real­ism = The Bor­row­ers. But only because they form the basis for the Step­ford Wives, Straw Dogs and The Rock­ford Files. You scoff? How could Jim Garner’s per­for­mance as ‘bow dow did­d­lum dow’ Rock­ford not be deliv­ered except by sev­eral dozen thiev­ing lit­tle peo­ple liv­ing in a mobile home? Yes, yes, a mobile home with a fixed land line for telelele­lala­com­mu­ni­ca­tions jig­gery japery.

While I’m at it. Kill Jimmy Carr. Now, I don’t mean that lit­er­ally. But oh, to have that power. Min­ions! Do as I say. Oh, dear reader, if you could only hear the sigh. It has surely trumped the sigh (and no, it wasn’t that kind of sigh. Or trump.). But ooooooh. The joy of never hav­ing to see him again.

Although, as per usual. It’s really a sig­ni­fier of how lit­tle I have achieved that I even have to men­tion Mr Carr, who I will endeav­our never to meet (I shook Brigstocke’s hand, but it was an acci­dent) in order to vent my spleen. And I don’t even dis­like my spleen! HA! Take that Mr So-Called Jimmy of So-Called Carr.

Neil Dia­mond. The End.

[Edit] Bol­locks. Any fule no I meant Jimmy Dia­mond. Although the crush­ing, nay soul-emptying irony of ‘I shoul d have known bet­ter’ has never been more appo­site. I love that word. What the banjo does it mean? A. Poz. It. Hurrah!

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