Modern blur is rubbish

I’ve realised, a bit late in the day, that my ran­dom jot­tings are becom­ing per­fect spam fod­der. I should really run it through a spam fil­ter one day to see how much gook I di gob­ble. But enough of that seri­ous­ness. On to verbiage.

A pro­pos of noth­ing, I decided to write down every­thing I thought wor­thy of a story en route to my first appoint­ment of the day. Here’s the list:

  • School­girl on the tube read­ing her neighbour’s Metro over the top of her library book. There were a num­ber of ways this could have gone — per­haps she recog­nised a friend in a photo, or maybe she dreams of being an actress. Not much to work on, but it was really the rep­e­ti­tion of the look, like an addic­tion, that made it interesting.
  • I saluted a sin­gle mag­pie hop­ping on a gar­den wall as I walked past it, and in doing so saw a pair of bal­let shoes dis­carded neatly in the front gar­den. You want niche? How about bal­le­rina cat-burglars? Or bet­ter still, bal­le­rina cats. Or per­haps mice liv­ing in the bal­let shoes — kind of one-up-mouseship among the mice population.
  • A man was read­ing Sharpe’s Drift on the tube. So far, so hum­drum. And how! Any­hoo. I was some­what sur­prised to dis­cover when his phone went that he was actu­ally Pol­ish (the very idea of an Eng­lish per­son speak­ing Pol­ish never crossed my mind, which is another story in itself). Which leads me to won­der what on earth this man makes of Sean Bean. And why the bally hell is he not read­ing Harry Pot­ter? Did he not read the code when he entered the coun­try? You may not be able to pro­nounce ‘sugar’, but you know what side your Hog­warts’ but­tered on. Or some­thing. Any­way, weak, relies on crude stereo­types, plus cul­ture clash is best served over ice. Dia­monds, to be precise.
  • Much more promis­ing — the home­less man on Hunger­ford bridge (irony, thy name is a cup of tea) mewl­ing softly into a har­mon­ica as his two dogs slept doggedly by his side. In that they were big and fluffy and dog-like, and their bel­lies puffed as he huffed. His hands were cov­ered in tat­toos, which on first glance read ‘Jade’ and ‘Goody’, but on closer inspec­tion were just the usual not-so-cryptic ‘fuck you’s to friends, fam­ily, god and the state. I felt bad about not giv­ing him any money, but if he’s not going to have per­form­ing dogs, I don’t want to know. God knows I’m a sucker for anti-capitalist ven­tril­o­quism star­ring golden retriev­ers. To be hon­est, and seri­ous for a moment, it seemed vaguely point­less to give him any­thing. He seemed beaten, even in his begging/busking. Sigh.
  • Fur­ther along Hunger­ford bridge you pass by some sup­port­ing columns going into Char­ing Cross. The sup­ports of these are cov­ered in spikes, pre­sum­ably to keep peo­ple from jump­ing on to them, and you know, hav­ing a party or some­thing. It seemed a per­fect perch for a human-gull nest. Which leads on to human gulls. Like har­mon­ica man. Or that Gib­son book where they all live in the sup­ports of a bridge, if mem­ory serves.
  • On the South Bank there was a soli­tary work­man break­ing up the paving slabs. I’m always fas­ci­nated by men in yel­low bibs who work on their own. It takes some­one unusu­ally bloody minded to do that. Or per­haps he had a vendetta against the National Film The­atre and was tun­nelling his way in. You know. Slowly.
  • And finally, the man set apart from his peers, jug­gling a cof­fee and salmon-encrusted bagel, look­ing hot and uncom­fort­able despite being one of the few men not in a shirt and tie. Wait­ing for an event to start that I didn’t really belong at. But that story is far too easy to tell.

So — there you have it, the insides of a story-teller’s head. The con­stant extrap­o­la­tion of events, fill­ing in back­story, weigh­ing up the sheer unlike­li­ness of things. What works, what doesn’t. What’s believ­able, and then a san­ity check of what’s believ­able by oth­ers. Like my response to the arrival of con­crete blocks in front of var­i­ous pub­lic build­ings — surely this is a fan­tas­tic oppor­tu­nity for pub­lic art or cor­po­rate spon­sor­ship or similar.

Any­hoo. Not up to my usual stan­dard. But some­times you need to let the drain clear. Oh, and some­one trumped me tonight — describ­ing some­thing as not ‘rocket salad’. Slightly spoiled by pos­si­bly being pre-meditated. Oth­er­wise, com­pa­ra­ble to ‘it’s all gone fruit dou­gal’ for describ­ing my out­look on life. Lit­tle bit of phi­los­o­phy there. I won’t let it spoil my dinner.

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