Slow-jo mojo

Le mojo c’est tombe en panne. I think that means it’s French. Does that mean it’s cov­ered in bread? French bread? Like a Pret-A-Ris morsel? An idea sand­wich that has gone slightly stale and sits limply along­side the nov­elty flavoured pasties on the shelf of the third fridge from the door in the motor­way ser­vice sta­tion out­side Llan­dudno (is there a motor­way there? I’ve no idea. I’m fairly sure there is a Llan­dudno — even though I’ve never been there — I’m not going to fall for that whole tree falling in a for­est malarkey AGAIN. It exists. Oth­er­wise there wouldn’t be a ser­vice sta­tion on a motor­way out­side it. Assum­ing there is a motor­way. GAH! Foiled! Curses! I shall have to change my secret pasty-drop-spot shelf. (S)pies are every­where. (Sorry, sorry, sorry, that was dreadful)).

Any­hoo. Idea sand­wiches. Must send that off to Steve Coogan vis a vis the third series. Although why Alan Par­tridge would appear in ‘Bread idol — the con­tin­te­nal ver­sion’, I’m not sure. Although I do like the idea of the judges throw­ing gra­nary rolls at each other.

Ok. For­get the sand­wiches. I’ve had a slow few days, writ­ing wise. I’ve been adjust­ing some key plot points, plus the oblig­a­tory jot­ting them down on paper, then in Sto­ry­lines, then in my plot­line doc­u­ment, and finally in my pseudo-first draft. At no stage has any­one leant over and said ‘my God, that’s genius’. No mat­ter how much I waft my note­book about. Philistines. Philistines with their own lives and ring­tones and cups of coffee.

I’ll show them. But maybe not just yet. I’ve got some more edit­ing to do. You know how it is. Wouldn’t want them tut­ting. NO TUTTING! Or tsk­ing. Tsk­ing is very bad. Although now I’m forced to think about it, it’s prob­a­bly bet­ter that there is no reac­tion at all. Or per­haps no reac­tion until I offer them a sandwich.

And (obvi­ously) at no stage have I both­ered to, you know, actu­ally com­mit any sen­tences to paper / screen that were not full of dates and angst-ridden notes to myself. I’m fairly sure that Joyce didn’t have a note­book full of entries say­ing ‘why does Stephen do this?’. Although it would have made for a bet­ter film.…(ducks, then crawls under the car­pet for good measure).

Which is a very long winded way of say­ing it’s Wednes­day. Should they make bread that tuts and tsks when it’s toasted? Musi­cal bread? ‘Toast is burn­ing, toast is burn­ing, come save me, come save me…’ etc

Bread’s com­pli­macated. Ideas more so. Give me back my mojo.

One comment made on “Slow-jo mojo”

  1. My God, that’s genius. I expect I’d like it even more if I were read­ing it. Most nov­els writ­ten in the third per­son annoy me. Humans are arro­gant enough with­out pre­tend­ing to be mind-readers. David Nobbs is an exception.

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